Faculty

Gideon Lester
Photo Kevin Thomas Garcia

Gideon Lester

Professor of Theater; Artistic Director for Theater & Dance
 

Gideon Lester is Director of the Theater and Performance Program at Bard College. He is also Artistic Director for Theater & Dance at the Richard B. Fisher Center for the Performing Arts, and Director of Live Arts Bard, the College’s residency and commissioning program for the performing arts. He is the co-curator of Crossing the Line, a cross-disciplinary arts festival in New York City. From 1997 to 2009 he worked at the American Repertory Theatre in Cambridge, Massachusetts, as Acting Artistic Director, Associate Artistic Director, and Resident Dramaturg. He also chaired Harvard University’s MFA program in dramaturgy at the A.R.T./Moscow Art Theatre Institute for Advanced Theatre Training, and taught at Harvard College. From 2009 to 2011 he taught at Columbia University’s School of the Arts where he founded and directed the Arts Collaboration Lab, in association with Performance Space 122. Professor Lester studied English at Oxford and Dramaturgy at Harvard, where he was a Fulbright and Frank Knox Scholar. His translations for the stage include plays by Marivaux, Büchner, and Brecht, and his stage adaptations include Kafka’s Amerika, Wim Wenders’ Wings of Desire, and Bulgakov's The Master and Margarita.
Phone: (845)758-7949
Email: glester@bard.edu
 

Jorge Ignacio Cortiñas

Jorge Ignacio Cortiñas

Playwright-in-Residence

B.A., Georgetown University; M.P.H., University of California, Berkeley; M.F.A., Brown University. Fellowships from the National Endowment for the Arts and the New York Foundation for the Arts; as well as the Helen Merrill Award; ³playwright of the year² in El Nuevo Herald¹s 1999 year-end list; a Writers Community Residency from the YMCA
National Writer's Voice; and the Robert Chesley Award, among others. Playwright; author of MALETA MULATA (Campo Santo); SLEEPWALKERS (Area Stage, Carbonell Award; and Alliance Theatre); TIGHT EMBRACE (Intar); and BLIND MOUTH SINGING (Teatro Vista, and National Asian American Theatre Company). His plays have been published by Playscripts and TDR/The Drama Review. He has been Commissioned by the Mark Taper Forum, South Coast Repertory, New World Theater, Hartford Stage and Playwrights Horizons. He is a Usual Suspect at New York Theatre Workshop and a member of New Dramatists. Cofounder, Fulcrum Theater (2009­ ). Has taught at University of Rochester, Denison University, University of Miami, and Children¹s Theater Center, Minneapolis. Poetry, fiction, and nonfiction published in many journals and anthologies. At Bard since 2011.
Phone: 845-758-3017
E-mail: jcortina@bard.edu
Annie Dorsen

Annie Dorsen

Visiting Artist in Theater & Performance

Annie Dorsen is a director and writer whose works explore the intersection of algorithms and live performance. Her most recent project, The Great Outdoors, premiered at Noorderzon Festival in Groningen. It has also been presented at Kampnagel Sommerfestival (Hamburg), Crossing the Line (NYC), and Théâtre de la Cité (Paris.) Her previous algorithmic work, Yesterday Tomorrow (2015), premiered at the Holland Festival, and has been presented since at Berliner Festspiele as part of Maerzmusik, Ultima Festival (Oslo), PS122's COIL Festival (NYC), and Festival d'Automne (Paris), amongst others. Other algorithmic theatre projects, A Piece of Work (2013) and Hello Hi There (2010), have both toured extensively in the US and Europe. The script of A Piece of Work was published by Ugly Duckling Presse in 2017, and she has contributed essays for Theatre Magazine, Etcetera, and Performing Arts Journal (PAJ). She is the co-creator of the 2008 Broadway musical Passing Strange, which she also directed. In addition to numerous awards for Passing Strange, Dorsen received a 2016 Foundation for Contemporary Arts Grant to Artists Award, the 2014 Herb Alpert Award for the Arts in Theater, and a 2008 OBIE Award. She is a Visiting Professor in Theater and Performance Studies at the University of Chicago.

Miriam Felton-Dansky

Miriam Felton-Dansky

Assistant Professor of Theater & Performance

B.A., Barnard College; M.F.A., D.F.A., Yale University. Research and teaching interests include performance in the digital age; the contemporary and historical avant-gardes; and political theater and performance. She is a contributing editor of Theater, where she served as guest co-editor of special issues "Digital Feelings" (2016), “Digital Dramaturgies” (2012), and "Censorship and Contemporary Theater" (2008). Her essays and articles have appeared in Theatre Journal, TDR, PAJ, and Theater, as well as The Oxford Handbook of Dance and Theater (2015). She has been a theater critic for the Village Voice since 2009. Awards received include a Beinecke Rare Book and Manuscript Library Research Fellowship, Yale Dissertation Fellowship, and Theater magazine fellowships. At Bard since 2012.

Phone: (845)758-7960

Email: mdansky@bard.edu

Jack Ferver

Jack Ferver

Professor of Theater & Performance

Jack Ferver is a New York based writer, choreographer, and director. His genre defying performances, which have been called “so extreme that they sometimes look and feel like exorcisms” (The New Yorker), explore the tragicomedy of the human psyche. Ferver’s “darkly humorous” (The New York Times) works interrogate and indict an array of psychological and socio-political issues, particularly in the realms of sexual orientation, gender, and power struggles. His visionary direction blurs boundaries between fantastic theatrics and stark naturalism, character and self, humor and horror.
 
Ferver’s works have been presented in New York City at the New Museum; The Kitchen; The French Institute Alliance Française, as part of Crossing the Line; Abrons Arts Center; Gibney Dance; Performance Space 122; the Museum of Arts and Design, as part of Performa 11; Danspace Project; and Dixon Place. Domestically and internationally, Ferver has been presented by the Richard B. Fisher Center for the Performing Arts at Bard College (NY); American Dance Institute (MD); Chicago Department of Cultural Affairs and Special Events (IL); Portland Institute of Contemporary Art (OR); the Institute of Contemporary Art at MECA (ME); the Institute of Contemporary Art (MA); Diverse Works in collaboration with the Contemporary Arts Museum of Houston (TX); and Théâtre de Vanves (France).
 
His work has been critically acclaimed in The New York Times, La Monde, Artforum, The New Yorker, Time Out NY, Modern Painters, The Financial Times, The Village Voice, and ArtsJournal. Ferver has received residencies and fellowships from the Maggie Allesee National Center of Choreography at Florida State (2012); Baryshnikov Arts Center (2013); the Watermill Center (2014); the Institute of Contemporary Art at Maine College of Art (2014); and Live Arts Bard, the commissioning and residency program of The Richard B. Fisher Center for the Performing Arts at Bard College (2014); and Abrons Art Center (2014-2015). He is a 2016 recipient of the Foundation for Contemporary Arts Grant.
 
He teaches at Bard College and is guest faculty at NYU. He has also taught at SUNY Purchase, and has set choreography at The Juilliard School. As an actor he has appeared in numerous films and television series, including an upcoming series for HBO. He and actress Parker Posey have a new media content project to be released in 2017. www.jackferver.org
Neil Gaiman
Photo by Kimberly Butler

Neil Gaiman

Professor in the Arts

Neil Gaiman is listed in the Dictionary of Literary Biography as one of the top ten living post-modern writers and is a prolific creator of works of prose, poetry, film, journalism, comics, song lyrics, and drama. His work crosses genres and reaches audiences of all ages. His most recent adult novel, The Ocean at the End of the Lane is a #1 New York Times Bestseller; other adult works include Neverwhere, Stardust, Anansi Boys, and Good Omens (with Terry Pratchett); the award-winning Sandman series of graphic novels; and the short story collections Smoke and Mirrors and Fragile Things. His novels for younger readers include Coraline and The Graveyard Book, which was awarded the Newbery Medal, the highest honor given children’s literature, as well as the Locus Award for Best Young Adult Book and the Hugo Award for Best Novel. The awarding of the 2010 UK Carnegie Medal makes Gaiman the first author ever to win both the Newbery Medal and the Carnegie Medal with the same book. His most recent book, Fortunately, the Milk (“the funniest work of literature since Catcher in the Milk”) has been on bestseller lists since publication, and a recent reading and performance of the entire book sold out Central Hall in Westminster. His work has been adapted for film, television, and radio, including Stardust (2007), directed by Matthew Vaughan, and the animated feature film Coraline (2009), which secured a BAFTA nomination for Best Animated Film and was nominated for an Oscar in the same category. In March 2013, BBC Radio broadcast a new six-episode production of Neverwhere, with a star-studded cast that includes James McAvoy, David Harewood, Benedict Cumberbatch, and Romola Garai. Gaiman has written and directed for film and television, and his 2011 episode of Doctor Who, “The Doctor’s Wife,” caused The Times (London) to describe him as “a hero” and won the Hugo, Ray Bradbury, and SFX awards. Make Good Art, the text of a commencement speech Gaiman delivered at Philadelphia’s University of the Arts, was published in a volume designed by renowned artist Chip Kidd; his recent speech in support of libraries and reading will be published as a book in 2014. More than 1.8 million people follow him on Twitter. Born in Hampshire, he currently lives in Cambridge, Massachusetts, with his wife, the rock star Amanda Palmer, with whom he sometimes performs.
Caleb Hammons
Photo Tei Blow

Caleb Hammons

Senior Producer

CALEB HAMMONS is an Obie-Award winning cultural producer and curator of performance working in Brooklyn and the Hudson Valley. Currently the Senior Producer at Bard College’s Richard B. Fisher Center for the Performing Arts, he facilitates Live Arts Bard, a professional commissioning, residency, and presenting initiative focusing on contemporary practices in the performing arts, produces dance, theater, live music, and transdisciplinary performance projects, and co-curates the Bard SummerScape Spiegeltent with Justin Vivian Bond. Over nearly five years at Bard, Caleb has overseen the development of new works from Daniel Fish, Sarah Michelson, Ralph Lemon, Will Rawls, Tere O’Connor, John Jasperse, Claudia Rankine, Michelle Ellsworth, Miguel Gutierrez, Jack Ferver, Beth Gill, Geoff Sobelle, and many others. Prior to his time at Bard he was the Producer at Soho Rep in NYC for two seasons, developing and producing new works from Annie Baker, Nature Theater of Oklahoma, Branden Jacobs-Jenkins, Lucas Hnath, and Jackie Sibblies-Drury. He became the first Producing Director of Young Jean Lee's Theater Company in 2008 and led the company through 2011, during which time he oversaw the development and world premieres of three new works by Young Jean Lee (THE SHIPMENT, LEAR, and the Obie Award-winning WE’RE GONNA DIE) as well as tours of the Company’s work to 30 cities around the world. He is the Co-Curator of the acclaimed Brooklyn-based performance series CATCH (recently lauded with a 2015 Obie Award and hailed by the Village Voice as NYC’s “best ambulatory feast of experimental performance”) and co-curated the CUNY/Martin E. Segal Theater Center’s PRELUDE Festival in 2012 and 2013. From 2007 until its implosion in 2012, Caleb served in various capacities for the playwright’s collective 13P, including serving as co-editor of 13P: The Complete Plays. He has been a guest speaker at the Yale School of Drama, Sarah Lawrence College, the City of Chicago Architecture Biennial, Creative Capital, NYU/Tisch School of the Arts, and Carnegie Mellon University School of the Arts, and teaches a course on creative producing at Bard. He served three seasons as a member of the selection committee for the New York Dance and Performance Awards (“The Bessies”) and serves as consulting producer for hybrid performance artist Erin Markey. Caleb holds a BFA from the NYU/Tisch Experimental Theatre Wing and was a member of the Institute for Curatorial Practice in Performance’s inaugural class at Wesleyan University.
Lynn Hawley

Lynn Hawley

Artist-in-Residence

B.A., Middlebury College; M.F.A., New York University; Acting includes principle roles in the following Off-Broadway New York theaters: Lincoln Center Theater, The Public Theater (Several, most recently Richard III, 2012), Irish Repertory Theatre, Classic Stage Company (Tony Kushner’s The Illusion), Circle Repertory Company, as well as numerous workshops at HERE, The Culture Project, and The Public Theater. Regionally, Lynn has performed plays at Yale Repertory Theatre, Center Stage, Berkshire Theatre Festival, Williamstown Theatre Festival, New York Stage & Film; Member of In The Continuum; film: Hamlet; television: Law & Order, Law & Order: SVU. Cofounder, TrueNorth Theater Project. Also studied at Moscow Arts Theater School. At Bard since 2000.

Phone: (845)758-7961

Email: Hawley@bard.edu

Joshua Lubin-Levy

Joshua Lubin-Levy

Visiting Assistant Professor in Theater History and Contemporary Practice

Joshua Lubin-Levy completed his graduate studies in the Department of Performance Studies at New York University.  His dissertation centers on the artist Jack Smith (1932 - 1989), with a particular emphasis on the queer critique of capitalism staged in Smith's interdisciplinary practice. He works as a writer and curator as well, and most recently served as the Interim Director of Visual Arts at Abrons Arts Center, where he organized several exhibitions and public programs around work that critically examines the relation between labor and value through the framework of subjectivity. He was a 2016 - 2017 Critical Studies participant in the Whitney Independent Study Program and is currently a Joan Tisch Teaching Fellow at the Whitney Museum of American Art.
 
Chiori Miyagawa
Photo Jennifer May

Chiori Miyagawa

Playwright-in-Residence

M.F.A., CUNY Brooklyn College. Playwright and dramaturg. Plays produced Off-Broadway and nationally. Seven plays published in various anthologies. Playwriting fellowships: New York Foundation for the Arts, Van Lier, McNight. Recipient: Radcliffe Institute Fellowship, Rockefeller Bellagio Residency,Critic Beinecke Playwright-in-Residence at Yale School of Drama, Rockefeller Multi-Arts Production Fund (twice), Asian Cultural Council Fellowship. Resident playwright, New Dramatists. Coartistic director, Crossing Jamaica Avenue, a New York–based theater company; board member, ART/N.Y. At Bard since 1999.
Phone: 845-758-7938
E-mail: miyagawa@bard.edu
Jonathan Rosenberg

Jonathan Rosenberg

Artist-in-Residence

B.A., University of Pennsylvania; M.F.A., New York University. Work produced at the Walker Art Center, Minneapolis; Dance Theater Workshop, Home for Contemporary Theater and Art, Theater for the New City, and Public Theater (workshop), all New York; Flynn Theater, Burlington; Berkshire Theatre Festival; A Contemporary Theater, Seattle; Institut International de la Marionnette, Charleville-Mézi ères, France; Bedlam Theatre, Edinburgh; Wits Theater, Johannesburg; and at Juilliard Drama Division, NYU Graduate Acting Program, Mason Gross School of the Arts at Rutgers University, SUNY Purchase Acting Conservatory, others. Associate artistic director, DearKnows Theater Company (1989–91). Recipient: National Endowment for the Arts Director Fellowship Award; Fox Foundation Fellowship Award. Has taught in Juilliard Drama Division, Conservatory of Theater Arts and Film at SUNY Purchase, Fordham University Theater Program, and at Colorado College and University of the Witwatersrand, Johannesburg. At Bard since 2005.
Phone: 845-758-7918
E-mail: jrosenbe@bard.edu
Virginia Scott

Virginia Scott

Visiting Artist in Theater & Performance

Virginia Scott is a director/devisor/teacher of physical theater. She teaches (or has taught) Clown, Commedia, Le Jeu, Bouffon, Melodrama, physical acting, and all that kind of wiggling it around at schools in NYC such as The Juilliard School, Pace University, Marymount Manhattan College, Movement Theatre Studio, The Michael Howard Studio, Stella Adler Studio and CAP 21, in Los Angeles at USC (MFA), The Idiot Workshops, The Clown School, Art of Acting and Berg Studios and internationally at Tisch School of the Arts at NYU: International Theatre Workshop in Amsterdam. In LA she recently created an original commedia performance in concert with a full orchestra (kinda weird but super fun!) for Symphony in the Glen at the Griffith Park stage, another commedia show for the Fowler museum at UCLA and an original clown show, Sapo Concionero, at the Hollywood Fringe. The Bouffon troupe, Les Enfants Maudit, she founded continue to take on power and shake things up around Los Angeles. In NYC she created (with some amazing Funny School people) The Brighella Brother's Sausage Shop a commedia show which will be back again on some coast or another some day, dammit!
Additional shows Virginia has directed and/or devised have appeared in New York at The Irish Repertory Theatre, Ars Nova Mainstage, 59E59, The Zipper Theatre, UCB, The PIT, The Algonquin Theatre, The Broadway Comedy Club, The Barrow Group Theatre, Chasama’s Palace of Variety, The New York Fringe Festival and the International Clown Festival; regionally at The US Comedy Arts Festival in Aspen, The Theatre at Monmouth in Maine, The Comedy Central Theatre and UCB LA in Los Angeles, The Dell’Arte School in Blue Lake, CA, and internationally at The Guilded Balloon in Edinburgh, The Centaur Theatre in Montreal and the Grahamstown International Festival in South Africa.
 
Jean Wagner

Jean Wagner

Artist-in-Residence

B.A. Wesleyan University, M.A. Smith College. Co-Founder and Artistic Director of Voice & Vision Theater, a New York City based Theater Company that develops and produces new plays and performance works by women.  Jean has developed and directed many new works for V&V including Chiori Miyagawa’s I Have Been to Hiroshima Mon Amour, which was produced in 2009 at The Ohio Theater, The Good Life, a one-woman show by Yeardley Smith at The Culture Project (NYC), Ana Traina’s In Audela (The Culture Project), Dulcitius by medieval playwright Hrotswitha of Gandersheim at the Metropolitan Museum of Art at the Cloisters,  Maricela de la Luz Lights the World by Jose Rivera at the Connelly Theater and  Wendy Kesselman’s The Black Monk.  Other directing credits include Colette Burson’s A Dry and Thirsty Land at HERE Arts Center, The Notebook by Wendy Kesselman at Boston’s Wheelock Theater, Hans in Luck by librettist Margie Duffield and composer Dan Ashkenaze at BRIC (Brooklyn) and new works at New York Stage & Film Company, Manhattan Class Company, Brooklyn Arts Exchange (BAX) and the Mabou Mines/Suite. She was Associate Director of the 1998 Broadway revival of The Diary of Anne Frank, and Twelve Dreams at Lincoln Center Theater, both directed by James Lapine, and is a member of New York Theatre Workshop’s “Usual Suspects,” The League of Professional Theater Women and the Stage Directors and Choreographers Society; and is an alum of Lincoln Center Theater’s Director’s Lab. In 2008 she received the Lucille Lortel Women’s Visionary Award from the League of Professional Theater Women. She has been on the faculty of the Bard College Theater and Performance Program since 2000.

Phone: (845)758-7937

Email: wagner@bard.edu